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The definitive introduction to American folklore.

Distinguished folklorist Jan Harold Brunvand, famous for his collections of 'urban legends,' offers readers a comprehensive and engaging introduction to the field of folklore. New to the fourth edition are 67 "Focus" boxes that provide in-depth examples of folk genres, research methods, and theoretical approaches, and over 70 photographs that illustrate material and performative folk traditions.

• Sales Rank: #32560 in Books
• Published on: 1998-01-17
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.50" w x 6.40" l, 2.12 pounds
• Binding: Hardcover
• 640 pages

About the Author
Jan Harold Brunvand lives in Salt Lake City, where he is professor emeritus at the University of Utah. He is the author of numerous books, including The Vanishing Hitchhiker; The Choking Doberman; The Baby Train; Too Good to Be True; and Be Afraid, Be Very Afraid.

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21 of 22 people found the following review helpful.
You wouldn't know by looking at it....
By A Customer
that this was actually a good book. My professor made us purchase this for a foklore class. He told us that it was not all that exciting, but I beg to differ. I found this to be an excellent leisure reading book as well as an excellent textbook for class. I highly recommend this to anyone interested in folklore.

1 of 1 people found the following review helpful.
This is a very well researched primary text for those interested in and/or researching American Folklore
By Masada36
Most simply and briefly put, this is a very well researched survey of articles for those interested in and/or researching the topic of American Folklore.

Allow me to provide a bit more detail with the hope it will aid other scholars and researchers in determining whether this would benefit your library:

The book, written by Jan Harold Brunvand of the University of Utah, was originally published in 1968 (the first edition, with which I am basing my review) and has served as an introduction to the topic for students and scholars ever since. The book was published by W.W. Norton & Company, Inc.

After the brief Preface, Abbreviations and Acknowledgments, the book contains the following sections and chapters:

I. Introduction
1. The Field of Folklore
2. The Study of Folklore
3. Bearers of American Folk Tradition

II. Verbal Folklore
4. Folk Speech and Naming
5. Proverbs and Proverbial Phrases
6. Riddles and Other Verbal Puzzles
7. Rhymes and Folk Poetry
8. Myths and Legends
9. Folktales
10. Folksongs
11. Ballads

III. Partly Verbal Folklore
12. Superstitions
13. Customs and Festivals
14. Folk Dances and Dramas
15. Folk Games

IV. Non-Verbal Folklore
16. Folk Gestures
17. Folk Music
18. Folk Architecture, Handicrafts, and Art
19. Folk Costumes and Foods

Appendices
A. The Taming of the Shrew Tale in the United States, by Jan Harold Brunvand
B. The Folklore of Academe, by J. Barre Toelken
C. The Types of the Southern Mountain Cabin, by Henry Glassie

--

In all, the book is 338 pages and thankfully has an Index as well as a short section of detailed notes.

After all these years, it is this text that has served as a primary introduction to the theme, and while there are other, newer specialized texts, this remains a fundamental point of reference in the conversation.

Highly recommended.

1 of 1 people found the following review helpful.
Book for College Course
By shayes
Had to order this book for my Folklore & Folklife class I am taking. Gives a very good overview on "folklore", and is definitely an easy read for everyone. It is a textbook, so it's not the most interesting thing in the world but is still very helpful.

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• Sales Rank: #1454318 in Books
• Brand: Brand: CRC Press
• Published on: 2013-02-04
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.99" w x 8.60" l, 5.52 pounds
• Binding: Hardcover
• 1008 pages

Features

• Used Book in Good Condition

About the Author

Leslie R. Rudnick is president of Designed Materials Group. He previously served as the technical director at Ultrachem Inc., was a senior scientist at The Pennsylvania State University Energy Institute, and worked for several Fortune 500 companies. An STLE fellow and ACS member, he serves on the editorial board of the Journal of Synthetic Lubrication and is the co/author and co/editor of over 100 journal articles, book chapters, and books. He holds 29 US patents as well as a BS from the University of Iowa and an MS and Ph.D from Rutgers University.

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[W718.Ebook] Free PDF Tori Amos: From the Choirgirl HotelFrom Amsco Publications

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• Sales Rank: #757733 in Books
• Published on: 1998-10
• Original language: English
• Number of items: 1
• Dimensions: .33" h x 8.99" w x 11.79" l,
• Binding: Paperback
• 96 pages

Most helpful customer reviews

13 of 13 people found the following review helpful.
More solid transcriptions than expected, less omissions than usual
By Peter Marinari
Choirgirl offers pianists a few challenges while mostly avoiding the daunting key signatures and compound time found on efforts like Under the Pink. Compared to the books for Little Earthquakes and Under The Pink the omissions here are few and mostly forgivable, and a few songs that could have turned out unplayable are spared by judicious compositing.

There are two unqualified highlights in the book: a fantastic "Pandora's Aquarium" and a faithful "Spark." Both songs are eminently playable while offering a few instances where you might need to pencil in your fingering. A serviceable trio of "Liquid Diamonds," "Jackie's Strength," and "Black Dove" follows them closely in quality.

However, the latter two tunes plateau at a particular difficulty, omitting a few killer passages that are just slightly defter than the rest of the song. A careful listen will reveal what's missing (and, if you have a good ear, will help you to fix it).

The problem is much more more glaring on "Raspberry Swirl." Where Tori occasionally departs from big block chords the book always stays with them. Also, there are some instances where the book could have indicated some of the additional keyboards from the song. Finally, it omits the ad-libbed solo running through the outro.

Simple "Playboy Mommy" is - puzzlingly - the worst offender. The book displaces simple figures from where they ought to be, and repeatedly ignores sparse right hand work in favor of continuous vocal melody. It plays okay, but it's clearly not the same thing Tori is doing. The same goes for a middling version of "Northern Lad."

Choirgirl includes some songs where piano isn't the most prominent fixture of an arrangement - songs are driven by keyboards, or Tori just supports the rhythm section. The book approaches these songs in a number of ways, because providing a verbatim keyboard part isn't always the best solution ... much of "Hotel" is very accurate to what Tori performed on tour, but at points it sounds peculiar when you play it by yourself.

The best-adapted band arrangement is "She's Your Cocaine." It mostly sticks to what Tori plays, but it adds some bass to the left hand and gives the melody to the right where it would be tacit. The additions don't sound wrong, and they're easy to identify and eliminate if you choose. "Iieee" does it's best to composite an occasional piano with with keyboards and bass guitar. It's a solid arrangement, and with a little ad-lib it can match perfectly to the disc. By contrast, "Cruel" could very well be what Tori is playing on keys and we'd never know it - the mix of the song obscures almost everything. The book errs in favor of bass notes and melody for most of the arrangement. It's not very fun to play.

Only one truly serious omission is made: the amazing "doing oh so well these days" section of "Liquid Diamonds" is completely absent. Also, the second verse piano is lost to a repeat sign, and Tori is clearly doing something different (more simple?) than what is notated in the chorus. Balancing these errors are a nearly flawless intro and first verse. Overall the song is playable and sounds fine.

The only other omission is that the "how many fates" bridge in "Spark" is clearly simplified. Otherwise, the brief piano bridge of "Black Dove" is close to accurate, as are most of the outstanding compound-time solos in the middle of "Hotel." And, as already mentioned, the arrangement of "Pandora" is excellent.

The book features no background vocals, which leaves Tori's unintelligible and sometimes operatic efforts to the imagination. The loss isn't too objectionable since nothing could really be counted as a dual-lead on this disc (as opposed to the bridges of "Space Dog" and "Father Lucifer").

Choirgirl might be the best Amos book for guitarists - the chord frames offer logical choices, nothing requires a capo (though try first on "Swirl" and fourth on "Black Dove"), and the songs all lend themselves to adaptation. A guitarist who reads a bit of music will be able to incorporate many key riffs or arpeggios that are perfect for guitar or bass (see "iieee," "Playboy Mommy," and "Jackie's Strength"). Inventive players will even be able to adapt songs for solo performance using alternate tunings (try a drop-D variation such as DADGAD for "Hotel").

Choirgirl is perhaps the Tori album that could most benefit from a full score, as it uses her band to the utmost. However, even as just a piano folio it's a strong set of songs that sometimes benefit from careful adaptation. If you're planning to just buy one Tori book based on the strength of the piano transcriptions you may want to opt for Pink, Pele, or Scarlet's before coming back to this one. If you're collecting Tori's entire series of sheet music you should buy it ASAP, as has been out of print for quite some time.

5 of 5 people found the following review helpful.
Something's just missing
By J Andrew Livingston
I bought the book expecting to "play like Tori." that was my first mistake. She just goes TOO many places, and that's very noticeable in this book. As has been said before the Piano took a back seat to the other instruments, and so playing without the other instruments just doesn't give the feel; however, it is fun to turn on the CD and play along, especially with Raspberry Swirl. But other than that, there isn't the fluidity that other Tori books have. The chords are so blocky and sustained (ie Jackie's Strength: held bass notes throughout the entire song) that I just couldn't capture what I was looking for. Not my first choice for a Tori sheet music book, but still not a bad buy if you like to play along.

7 of 7 people found the following review helpful.
As good as it gets?
By A Customer
As Tori Amos sheet music goes, is this as good as it gets? Obviously it's difficult to get exact transcriptions of Tori's material (she's too damn good at the piano!) but this book makes a decent stab at it. Basically it's as good as the Boys for Pele book, which was the closest I'd seen. The difference with this book really lies with the way Tori recorded this album. from the choirgirl hotel was extremely band oriented, therefore the piano transcriptions suffer most with Cruel, She's Your Cocaine and Hotel. The definite highlights are the introductions to Black Dove and Pandora's Aquarium. Spark is transcribed well and Jackie's Strength is excellent. Northern Lad seems to have been simplified, but with a little improvisation and listening to the record it's fine. Raspberry Swirl follows a basic chord pattern repeated, and the piano break of hotel captures the flowing signature of the record. Playboy Mommy is essentially pretty simple anyway and is definetly the most accessible transcription. Go there first!
In conclusion the book is a must for fans, and is excellent at opening up the album for people.
Go get it!

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